![]() Accordingly, Debussy entered the Paris Conservatoire at the age of ten and in fact never attended regular school. The family got around this by sending the boy to live with relatives, since they recognized a very lively intelligence as well as musical talent in the child. ![]() On his early release, the government deprived him of all civil rights, which meant that Claude was denied a public education. His father had joined one of the many uprisings of Paris workers and as a result had gotten thrown in jail. Anacapri is a comune-like a county or township-on the island of Capri, to which Debussy was a frequent visitor.One of the five great pillars of musical Modernism, Achille-Claude Debussy (AugMarch 25, 1918) was born in an outlying northwest Parisian commune. The titles appear at the end of each movement, allowing the performer to discover impressions for himself, without being guided by Debussy's own thoughts. The titles were given by the composer to create images or sensory associations for the listener. A decade later, he created a second collection of twelve.ĭebussy never intended the pieces to be performed in a series he thought of them as individual works. This prelude is the fifth in a collection of twelve that Debussy began in late 1909. _ Les collines d'Anacapri (The Hills of Anacapri) Claude Debussy ![]() The main body of the scherzo is lively with vibrant tremolos supporting an energetic and supple tune. In the brilliant key of B major, it opens with the clear ringing of isolated tones, like a stunning view on a clear sunlit day, which alternate with lively quasi-tarantella passages. The prelude is a lively scherzo-like piece, mingled with elements of the tarantella, and interspersed with moments of sublime awe. It was inspired by the town of Anacapri on the island of Capri, off the coast of Italy, which the composer frequently visited. Les collines d’Anacapri (“The Hills of Anacapri”) is the fifth prelude of Debussy’s first book of preludes. However, some performers also choose to perform each book in their entirety. Early performances, even by Debussy himself, established a precedent of grouping the prelude in threes or fours, allowing performers to pick those in which they perhaps are most comfortable. Performance practice of the preludes varies. Yet, to partially disguise these intents from the listener and to allow his audience to discover them of their own accord, Debussy craftily placed his titles at the end of each prelude. Debussy, in keeping with the artistic philosophy of his day, also composed each prelude with specific scene or image in mind. However, this does not mean that Debussy’s preludes are without order, and the relationships that can be found among them indicate that their published order was, to a certain extent, quite purposeful, yet also designed with a degree of inherent flexibility. Bach’s ubiquitously known Well-Tempered Clavier(namely, a prelude in each of the major and minor keys) and imitated by several other composers, including Frédéric Chopin, Charles-Valentin Alkan, and Sergei Rachmaninoff. Though totaling twenty-four in number between the two books, Debussy’s preludes do not follow the precedent established by J. Claude Debussy composed his two books of preludes during a remarkably brief period-the first, between December 1909 and February 1910 and the second, during roughly the same period in 1912-13.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |